“Pradeep” redirects here. For the actor, see Pradeep (actor).
Born 6 February 1915
Badnagar, Ujjain, India
Died 11 December 1998 (aged 83)
Mumbai, Maharashtra, India
Other names Ramchandra Narayanji Dwivedi
Years active 1939-1997
Kavi Pradeep (6 February 1915 – 11 December 1998), born Ramchandra Narayanji Dwivedi, was a renowned Indian poet and songwriter who is best known for his patriotic song Aye Mere Watan Ke Logo written as a tribute to the soldiers who had died defending the country during the Sino-Indian War.
His first recognition came for his patriotic lyrics for the film Bandhan (1940). His status as a nationalistic writer got immortalised for writing a daringly patriotic song Door Hato Ae Duniya Walo (Move Away O Outsiders) in India’s first golden jubilee hit Kismet (1943) because he was forced to go underground to avoid arrest immediately after the film’s release that invited the ire of British government.
In a career span of five decades, Kavi Pradeep wrote about 1,700 songs and nationalistic poems including the lyrics for some 72 films, including hits like Chal Chal Re Naujawan in film Bandhan (1940) and Aao Bachcho Tumhein Dikhayen and De Dee Hame Azaadi Bina Khadag Bina Dhaal in film Jagriti (1954) In 1958, HMV, released an album of 13 songs with his lyrics. He was made the Rashtrakavi, (Poet Laureate), and came to be known as, Kavi Pradeep
In 1997, he was honoured by India’s highest award in Cinema, the Dada Saheb Phalke Award for Lifetime Achievement
Kavi Pradeep was born Ramchandra Narayanji Dwivedi in 1915 into a middle-class Audichya Brahmin family in the small central Indian town of Badnagar near Ujjain. Since his early student days and later while pursuing graduation from University of Lucknow, he had a passion for writing and rendering Hindi poetry. He hypnotised the audience at kavi sammelans (poet’s gatherings) with his inimitable style. It was during this time he adopted the pen name (“nom de plume”) Pradeep. After graduating from Lucknow University in 1939, he decided to join a teacher’s course to become a teacher.
Pradeep was invited to a Kavi Sammelan in Bombay where he was offered his first film Kangan (1939), by Himanshu Rai of Bombay Talkies. The film starred Devika Rani and Ashok Kumar. Pradeep shifted to Bombay and wrote four songs for the film, all of which became very popular, and sung three of the songs himself.
He next film was Bandhan (1940) produced by S. Mukherjee and directed by Gyan Mukherjee. The music director was Saraswati Devi. This time he wrote all the songs which became huge hits. The most notable is “Chal Chal Re Naujawan”, which made waves since the Indian freedom movement was at a crucial juncture
He worked on five more movies for Bombay Talkies which included Punar Milan (1940), Jhoola (1941), Naya Sansar (1941), Anjan (1943) and Kismet (1943). Kismet is known for its patriotic song “Aaj Himalay Ki Choti Se Phir Hum Ne Lalkara Hai, Door Hato Ae Duniyawalon Hindustan Hamara Hai” (From the peak of the Himalayas we are warning other countries to stay away from India as it is our country).
Mashaal (1950) was his next film and it features the extremely popular song “Upar Gagan Vishal” sung by Manna Dey. Kavi Pradeep was at his creative zenith when he wrote for the films Nastik (1954) and Jagriti (1954). He even lent his voice for the evergreen song “Dekh Tere Sansar Ki Halat Kya Ho Gayi Bhagwaan, Kitna Badal Gaya Insaan” (Look at your world, O God. How the man has changed!) from the film Nastik (1954). Jagriti is considered to be among his best work for one movie as it includes hit songs such as Aao Bachcho Tumhein Dikhayen Jhanki Hindustan Ki, Is Mitti Se Tilak Karo, Yeh Dharti Hai Balidan Ki” (sung by himself), “Hum Laye Hain Toofan Se Kishti Nikal Ke, Is Desh Ko Rakhna Mere Bachcho Sambhal Ke” and “De Dee Humein Azadi Bina Khadag Bina Dhal, Sabarmati Ke Sant Tu Ne Kar Diya Kamaal”.
His songs were so popular that fans would see his movies repeatedly just to listen to his soulful songs. Kavi Pradeep always believed in writing songs in simple words portraying a meaning fitting into the situation. The popularity of his songs was due to his down-to-earth lyrics and simple language that was well understood by everyone.
By the 1960s, the popularity of his songs was on the wane and film producers who were looking for western music and fast numbers avoided him. However he managed to prove his detractors wrong with films Talaaq, a Rajendra Kumar starrer and Paigam (1959) starring Dilip Kumar, Raaj Kumar and Vyjayantimala. With “Insaan Ka Insaan Se Ho Bhaichara, Yahi Paigam Hamara” being a highlight. S. Mukerji’s Sambandh (1969) starring Pradeep Kumar was a movie that ran on the popularity of songs such as “Chal Akela Chal Akela, Tera Mela Peechhe Chhoota Raahi Chal Akela”, “Jo Diya Tha Tum Ne Ek Din, Mujhe Phir Wohi Pyar De Do, Ek Karz Mangta Hoon, Bachpan Udhar De Do” were written by Kavi Pradeep. He continued to show his brilliance in 1975, when the movie Jai Santoshi Maa was released. For a low-budget movie, it matched the collections of another Block Buster Sholay. For months, theatres screening the movie, held the housefull boards high. Ladies would perform poojas when the immortal song “Main To Aarti Utaroon Re Santoshi Mata Ki” was played in the theatres. He also sang one of the songs “Yahan Wahan” from the film for which he received the award as Best Male Playback Singer from the Bengal Film Journalists’ Association in 1975
Kismet was his groundbreaking effort since it came at the time of the “Quit India” movement. The country was in strife with all national leaders in prison. He cleverly wrote the song “Aj Himalay Ki Choti Se Phir Hum Ne Lalkara Hai”. The song was supposed to warn the Axis powers, but the Indian public understood the real meaning of the song. Almost synonymous to the song (phir means again in Hindi), the reel would be rewound and played many times to satisfy public demand. Theatres around the country were resounded with “once more” calls once the song ended. The reel had to be rewound and the song was screened again and again. Kismet made box office history for its time by running for 3½ years in one theatre. Though the song managed to pass through heavy censorship of the time, the British soon realised the true meaning of his songs and issued a warrant for his arrest. This forced Kavi Pradeep to go underground to avoid arrest.
He continued his patriotic zeal with renewed vigour after independence in movies such as Jagriti with a song considered to be his tribute to Mahatma Gandhi, “De Dee Humein Azadi Bina Khadag Bina Dhal.” His songs for children are still played throughout the country on 14th Nov., Children’s Day, “Hum laye hain toofan se kishti nikal ke” and “Insaaf ki dagar pe.”
During 1962 (Indo-China) war days, he heard about Param Vir Major Shaitan Singh Bhati. He was so touched by his sacrifice and bravery that he penned down the lines “Aye Mere Watan Ke Logo”. This song was originally supposed to be sung by Asha Bhosle, due to a misunderstanding between composer C. Ramchandra and Lata Mangeshkar. Kavi Pradeep though, was adamant about having Lata Mangeshkar sing the song, as he felt that hers was the only voice that could do justice to the number. C. Ramchandra was unsure whether Mangeshkar would agree to sing, so Kavi Pradeep began the task of convincing her to hear the song. On hearing the song she was moved so much that she instantly agreed to sing the song on condition that Kavi Pradeep be present at the rehearsals.
Aye Mere Watan Ke Logo (O people of my country) went on to become one of the greatest patriotic songs of the country. It was while Lata Mangeshkar was rendering the song that the Prime Minister of India, Jawaharlal Nehru, was moved to tears. For writing the song Kavi Pradeep was conferred the honour of “Rashtriya Kavi” (National Poet) by the government of India.
The song was famously performed live, by Lata Mangeshkar, in the presence of Prime Minister, Jawaharlal Nehru at the National Stadium, New Delhi, on Republic Day, 26 January 1963, and moved him to tears, and a copy of the soundtrack spool was also gifted to him on the occasion. Despite many offers, Kavi Pradeep pledged the royalties of the song to ‘War Widows Fund’ and on 25 August 2005 Bombay High Court ordered Saregama (HMV) to pay ₹ 1 million as arrears in royalty to the Fund.
“Aye Mere Watan Ke Logo”
“Sooni padi re sitar” (Kangan)
“Nacho nacho pyare man ke mor” (Punar Milan)
“Chal chal re nau javan” (Bandhan)
“Chane jor garam babu” (Bandhan)
“Piyoo piyoo bol pran papihe” (Bandhan)
“Ruk na sako to jao” (Bandhan)
“Kheencho kaman kheencho” (Anjan)
“Jhoole ke sang jhoolo” (Jhoola)
“Na jane kidhar aaj meri nao chali re” (Jhoola)
“Main to dilli se dulhan laya re” (Jhoola)
“Aaj mausam salona salona re” (Jhoola)
“Mere bichhade hue saathi” (Jhoola)
“Door hato ae duniya walo Hindustan hamara hai (Kismet)
“Dheere dheere aa re badal” (Kismet)
“Papiha re, mere piyase” (Kismet)
“Ghar ghar mein diwalee hai mere ghar me andhera” (Kismet)
“Ab tere siva kaun mera” (Kismet)
“Har har mahadeo allah o akbar” (Chal Chal Re Naujawan)
“Ram bharose meri gadi” (Girl”s School)
“Oopar gagan vishal” (Mashal)
“Kiski kismet mein kya likha” (Mashal)
“Aaj ashia ke logon ka kafila chala” (Kafila)
“Koyal bole ku” (Baap Beti)
“Kahna bahjaye bansari” (Nastik)
“Jai jai ram raghurai” (Nastik)
“Kitna badal gaya insan” (Nastik)
“Gagan jhan jhana raja” (Nastik)
“Tere phoolon se bhi pyar” (Nastik)
“Sabarmati ke sant” (Jagriti)
“Hum laye hain toofan se” (Jagriti)
“Chalo chalen maa” (Jagriti)
“Aao bachacho tumhen dikhayen” (Jagriti)
“Tere dwar khada bhagwan” (Waman Avtar)
“Kahe ko bisara hari naam, maati ke putle” (Chakradhari)
“Doosara o ka dukhada door karne wale” (Dashera)
“Tunnaak tunnak bole re mera ektara” (Ram Navmi)
“Pinjare ke panchhi re” (Naag Mani)
“Koi lakh kare chaturai” (Chandi Pooja)
“Nai umar ki kaliyo tumko dekh rehiduniya sari” (Talaq)
“Bigul baj raha azadi ka” (Talaq)
“Mere jeevan mein kiran ban ke” (Talaq)
“Mukhada dekhle praani” (Do Bahen)
“Insan ka insan se ho bhaichara” (Paigham)
“O ameeron ke parameshwar” (Paigham)
“Jawani mein akelapan” (Paigham)
“O dildaar bolo ek baar” (School Master)
“Aaj suno hum get vida ka garaha” (School Master)
“Sanvariya re apni meera ko bhool na jana” (Aanchal)
“Na jane kahan tum the” (Zindgi aur khwab)
“Aaj ke is insaan ko ye kya hogaya” (Amar Rahe Yeh Pyar)
“Sooraj re jalte rahena” (Harishchandra Taramati)
“Toot gayee hai mala” (Harishchandra Taramati)
“Janma bhoomi maa” (Netaji Subhash Chandra Bose)
“Suno suno desh ke Hindu – musalman” (Netaji Subhash Chandra Bose)
“Bharat ke liye bhagwan ka ek vardaan hai ganga” (Har har gange)
“Chal akela chal akela” (Sambandh)
“Tum ko to karodon saal hue” (Sambandh)
“Jo diya tha tumne ek din” (Sambandh)
“Andhere mein jo beithe ho (Sambandh)
“Ye khushi leke main kya karoon” (Har har gange)
“Sukh dukh dono rehte” (Kabhi dhoop kabhi chhaon)
“Hay re sanjog kya ghadi dikhlai” (Kabhi dhoop kabhi chhaon)
“Chal musafir chal” (Kabhi dhoop kabhi chhaon)
“Jai Jai narayan narayan hari hari” (Haridarshan)
“Pabhu ke bharose han ko gaadi” (Haridarshan)
“Maarnewala hai bhagwan bachanewala hai bhagwan” (Haridarshan)
“Main is paar” (Agni rekha)
“Main to aarti utaron” (Jai Santoshi Maa)
“Yahan wahan jahan tahan” (Jai Santoshi Maa)
“Mat ro mat ro aj” (Jai Santoshi Maa)
“Karati hoon tumhara vrat main” (Jai Santoshi Maa)
“Madad karo santoshi mata” (Jai Santoshi Maa)
“He maruti saari ram katha ka” (Bajrangbali)
“Banjaa hoon main” (Aankha ka tara)
About the kind of songs he wrote, Pradeep once said  “Love is just a part of life and the love written about today talks about love between the sexes only. But do young men and women have a monopoly where love is concerned. Aren’t there different kinds of love that between a mother and her children, between a father and his children, between a bhakt (devotee) and his deity, between a man and his motherland? I chose to write about all these different kinds of love.”
Many of Kavi Pradeep’s works have been plagiarised in neighbouring Pakistan. Songs like “Hum Laye Hain Toofan se Kashti Nikal Ke, Is Desh ko rakhnaa mere bachchon sambhal ke”, “Aao Bachon Tumhe Dikhayen Jhanki Hindustan Ki”‘ have been plagiarised almost word to word with minor changes like ‘desh’ to ‘mulk’ and avoiding references like ‘Bharat’, ‘Hind’, ‘Bapu’ etc.
He stayed in the Irla area of the Mumbai suburb of Vile Parle until he died. Kavi Pradeep died at the age of 83 in Mumbai on 11 December 1998. He was survived by his wife and two daughters, Sargam Thaker and Mitul Pradeep, who later set up the Kavi Pradeep Foundation. An award, Kavi Pradeep Samman, has also been constituted in his memory