Louise Emma Augusta Dahl (November 19, 1895 – December 11, 1989) was an American photographer.
She is known primarily for her work for Harper’s Bazaar, in association with fashion editor Diana Vreeland.
Dahl was born in San Francisco, California to Norwegian immigrant parents, the youngest of three daughters.
In 1914, she began her studies at the California School of Fine Arts (now the San Francisco Institute of Art), where she studied design and color with Rudolph Schaeffer, and painting with Frank Van Sloan.
She took courses in life drawing, anatomy, figure composition and other subjects over the next six years.
She studied design, decoration and architecture at Columbia University, New York in 1923.
In 1928 she married the sculptor Meyer Wolfe, who constructed the backgrounds of many of her photos.
Dahl-Wolfe was known for taking photographs outdoors, with natural light in distant locations from South America to Africa in what became known as “environmental” fashion photography.
She preferred portraiture to fashion photography. Notable portraits include: Mae West, Cecil Beaton, Eudora Welty, W. H. Auden, Christopher Isherwood, Orson Welles, Carson McCullers, Edward Hopper, Colette and Josephine Baker.
She is known for her role in the discovery of a teenage Lauren Bacall whom she photographed for the March 1943 cover of Harper’s Bazaar.
One of her favourite subjects was the model Mary Jane Russell, who is estimated to have appeared in about thirty percent of Dahl-Wolfe’s photographs.
She was a great influence on photographers Irving Penn and Richard Avedon. One of her assistants was fashion and celebrity photographer, Milton H. Greene.
From 1933 to 1960, Dahl-Wolfe operated a New York City photographic studio that was home to the freelance advertising and fashion work she made for stores including Bonwit Teller and Saks Fifth Avenue.
From 1936 to 1958 Dahl-Wolfe was a staff fashion photographer at Harper’s Bazaar.
She produced portrait and fashion photographs totaling 86 covers, 600 color pages and countless black-and-white shots. She worked with editor Carmel Snow, art director Alexey Brodovitch and fashion editor Diana Vreeland, and traveled widely.
In 1950, she was selected for “America’s Outstanding Woman Photographers” in the September issue of Foto. From 1958 until her retirement in 1960, Dahl-Wolfe worked as a freelance photographer for Vogue, Sports Illustrated, and other periodicals.
Louise Dalhl-Wolfe lived many of her later years in Nashville, Tennessee. She died in New Jersey of pneumonia in 1989.
The full archive of Dahl-Wolfe’s work is located at the Center for Creative Photography (CCP) at the University of Arizona in Tucson, which also manages the copyright of her work.
In 1999, her work was the subject of a documentary film entitled Louise Dahl-Wolfe: Painting with Light. The film featured the only surviving modern footage of Dahl-Wolfe, including extensive interviews.
It was written and directed by Tom Neff, edited by Barry Rubinow and produced by Neff and Madeline Bell.