Anatoly Vasilyevich Lunacharsky ( November 23 [O.S. November 11] 1875 – December 26, 1933) was a Russian Marxist revolutionary and the first Soviet People’s Commissar of Education responsible for culture and education.
He was active as an art critic and journalist throughout his career.
Lunacharsky was born in Poltava, Ukraine, Russian Empire. He was an illegitimate child of Alexander Antonov and Alexandra Lunacharskaya, née Rostovtseva.
His mother was at the time married to statesman Vasily Lunacharsky, hence Anatoly’s surname and patronym. Alexandra later divorced Lunacharsky and married Antonov, but Anatoly kept his old name.
Lunacharsky became a Marxist at the age of fifteen. He studied at the University of Zurich under Richard Avenarius for two years without taking a degree. While in Zürich, he met European socialists including Rosa Luxemburg and Leo Jogiches and joined the Russian Social Democratic Labour Party.
In February 1902 Lunacharsky moved in with Alexander Bogdanov who was working in a mental hospital in Vologda. By September of that year he married Anna Alexandrovna Malinovkaya, Bogdanov’s sister.
In 1903 the party split into Bolsheviks led by Vladimir Lenin and Mensheviks led by Julius Martov and Lunacharsky sided with the Bolsheviks. In 1907 he attended the International Socialist Congress, held in Stuttgart.
When the Bolsheviks, in turn, split into Lenin’s supporters and Alexander Bogdanov’s followers in 1908, Lunacharsky supported his brother-in-law, Bogdanov, in setting up Vpered.
Like many contemporary socialists (including Bogdanov), Lunacharsky was influenced by the empirio-criticist philosophy of Ernst Mach and Richard Avenarius. Lenin opposed Machism as a form of subjective idealism and strongly criticised its proponents in his book Materialism and Empirio-criticism (1908).
In 1909, Lunacharsky joined Bogdanov and Maxim Gorky at the latter’s villa on the island of Capri, where they started a school for Russian socialist workers.
In 1910, Bogdanov, Lunacharsky, Mikhail Pokrovsky and their supporters moved the school to Bologna, where they continued teaching classes through 1911.
In 1913, Lunacharsky moved to Paris, where he started his own “Circle of Proletarian Culture”. After the outbreak of World War I in 1914, Lunacharsky adopted an internationalist anti-war position, which put him on a course of convergence with Lenin and Leon Trotsky.
In 1915, Lunacharsky and Pavel Lebedev-Poliansky restarted the social democratic newspaper Vpered with an emphasis on proletarian culture.
After the February Revolution of 1917, Lunacharsky returned to Russia and, like other internationalist social democrats returning from abroad, briefly joined the Mezhraiontsy before they merged with the Bolsheviks in July–August 1917.
After the October Revolution of 1917, Lunacharsky was appointed Commissar of Enlightenment (Narkompros) in the first Soviet government and remained in that position, which put him in charge of education, among other things, until 1929.
Lunacharsky was associated with the establishment of the Bolshoi Drama Theater in 1919, working with Maxim Gorky, Alexander Blok and Maria Andreyeva. During this period he was also in charge of the Soviet state’s first censorship system.
Lunacharsky helped his former colleague, Alexander Bogdanov, found a semi-independent proletarian art movement, Proletkult. Lunacharsky oversaw improvements in Russia’s literacy rate. He argued for the protection of historic buildings against elements in the Bolshevik Party who wanted to destroy them by arguing for their architectural importance.
When Joseph Stalin consolidated his power in the late 1920s, Lunacharsky lost all of his important positions in the government. In 1930 he represented the Soviet Union at the League of Nations and in 1933 he was appointed ambassador to Spain. Lunacharsky died in Menton, France, en route to take up his post as the Soviet ambassador to Spain.
Lunacharsky’s remains were returned to Moscow where his urn was buried in the Kremlin Wall Necropolis, a rare privilege during the Soviet era. During the Great terror of 1936-1938, Lunacharsky’s name was erased from the Communist Party’s history and his memoirs were banned.
A revival came in the late 1950s and 1960s, with a surge of memoirs about Lunacharsky and many streets and organizations named or renamed in his honor. During that era, Lunacharsky was viewed by the Soviet intelligentsia as an educated, refined, and tolerant Soviet politician.
Some Soviet-built orchestral harps also bear the name of Lunacharsky, presumably in his honor. These concert pedal harps were produced in Leningrad (now Saint Petersburg, Russia).
Lunacharsky was also a prolific writer. He wrote literary essays on the works of several writers, including Alexander Pushkin, George Bernard Shaw and Marcel Proust.
His most notable work, however, is his memoirs, “Revolutionary Silhouettes”, which describe anecdotes and Lunacharsky’s general impressions of Lenin, Trotsky and eight other revolutionaries. Trotsky reacted to some of Lunacharsky’s opinions in his own autobiography, “My Life.”
Lunacharsky was known as an art connoisseur and a critic. He had been interested in philosophy (not only Marxist dialectics) since he was a student (for instance, he was fond of the ideas of Fichte, Nietzsche, Avenarius).
He could read six modern languages and two dead ones. Lunacharsky corresponded with H. G. Wells, Bernard Shaw, and Romain Rolland.