Harivansh Rai Shrivastav alias Bachchan (27 November 1907 – 18 January 2003) was a noted Indian poet of Chhayavaad literary movement (romantic upsurge) of early 20th century Hindi literature. Born in a Srivastava Kayastha family, in the village of Babupatti (Raniganj) in the district of Pratapgarh, he was also a famous poet of the Hindi Kavi Sammelan. He is best known for his early work Madhushala He is also the father of the noted Hindi film actor, Amitabh Bachchan. In 1976, he was honoured with the Padma Bhushan for his immense contribution to Hindi literature.
Born in a Kayastha family in Allahabad while his ancestors belonged to the village of Babupatti in Raniganj tehsil in the district of Pratapgarh, U.P. near Allahabad in the United Provinces (modern Uttar Pradesh) he was the eldest son of Pratap Narayan Shrivastav and Saraswati Devi. He was called bachchan (meaning Kid at home).
He received his formal schooling in a municipal school and followed the family tradition of attending Kayastha Paathshaalas to learn Urdu as the first step to a career in law. He later studied at the Allahabad University and Banaras Hindu University. In this period, he came under the influence of the independence movement, then under the leadership of Mahatma Gandhi. He honoured with “Proud Past Alumni” in the list of 42 members, from “Allahabad University Alumni Association”, NCR, Ghaziabad (Greater Noida) Chapter 2007–2008 registered under society act 1860 with registration no. 407/2000.
Realizing that this was not the path he wanted to follow, he went back to the university. However from 1941 to 1952 he taught in the English Department at the Allahabad University and after that he spent the next two years at St Catharine’s College, Cambridge, Cambridge University doing his doctoral thesis on W.B. Yeats. It was then, that he used ‘Bachchan’ as his last name instead of Srivastava. Mr.Harivanshrai’s thesis got him his PhD at Cambridge. He is the second Indian to get his doctorate in English literature from Cambridge. After returning to India he again took to teaching and also served at All India Radio, Allahabad.
In 1926, at the age of 19, Mr.Bachchan married his first wife, Shyama, who was then 14 years old. However she died ten years later in 1936 after a long spell of TB at just 24 years of age. Bachchan again married, Teji Bachchan, in 1941. They had two sons, Amitabh and Ajitabh.
In 1955, Mr.Harivanshrai shifted to Delhi to join the External Affairs Ministry as an officer on Special duty and during the period of 10 years that he served he was also associated with the evolution of Hindi as the official language. He also enriched Hindi through his translations of major writings. As a poet he is famous for his poem Madhushala (a bar selling alcoholic drinks). Besides Omar Khayyam’s Rubaiyat, he will also be remembered for his Hindi translations of Shakespeare’s Macbeth and Othello and also the Bhagvad Gita. However in Nov 1984 he wrote his last poem ‘Ek November 1984′ on Indira Gandhi’s assassination.
Mr.Harivanshrai was nominated to the Indian Rajya Sabha in 1966 and government gave him the Sahitya Akademi award three years later. In 1976 he was honoured with the Padma Bhushan for his immense contribution to Hindi literature. He was also honoured with the Saraswati Samman for his four volume autobiography, Kya Bhooloon Kya Yaad Karoon, Needa Ka Nirman Phir, Basere Se Door and Dashdwar se Sopan Tak. the Sovietland Nehru Award and the Lotus Award of the Afro-Asian writers’ conference, for his unique contribution to the world of letters. But if ever asked to introduce himself, he had a simple introduction: Mitti ka tan, masti ka man, kshan-bhar jivan — mera parichay. (A body of clay, a mind full of play, a moment’s life – that is me.).
Mr.Bachchan died on 18 January 2003, at the age of 96, as a result of various respiratory ailments. His wife Mrs.Teji Bachchan died nearly four years later in 2007, at the age of 93.
From 1941 to 1952 he taught English Literature at Allahabad University and then spent two years at Cambridge University, at St Catharine’s College. There he studied with the famous English literature don, Thomas Rice Henn, and received a doctorate in English Literature for his work on the Irish poet W.B. Yeats and Occultism. It was there that he used Bachchan as his last name instead of ‘Srivastava. He was the second Indian to get his doctorate in English literature from Cambridge University.
After returning to India, he taught briefly and then worked as a producer for All India Radio, Mumbai. In 1955, he moved to Delhi to join the Ministry of External Affairs of the Government of India and there he was closely involved with the evolution of Hindi as the official language of India.
Tera Haar (तेरा हार) (1932)
Madhushala (मधुशाला) (1935)
Madhubala (मधुबाला) (1936)
Madhukalash (मधुकलश) (1937)
Nisha Nimantran (निशा निमंत्रण) (1938)
Ekaant Sangeet (एकांत संगीत) (1939)
Aakul Antar (आकुल अंतर) (1943)
Satarangini (सतरंगिनी) (1945)
Halaahal (हलाहल) (1946)
Bengal ka Kaavya (बंगाल का काव्य) (1946)
Khaadi ke Phool (खादी के फूल) (1948)
Soot ki Maala (सूत की माला) (1948)
Milan Yamini (मिलन यामिनी) (1950)
Pranay Patrika (प्रणय पत्रिका) (1955)
Dhaar ke idhar udhar (धार के इधर उधर) (1957)
Aarti aur Angaare (आरती और अंगारे) (1958)
Buddha aur Naachghar (बुद्ध और नाचघर) (1958)
Tribhangima (त्रिभंगिमा) (1961)
Chaar kheme Chaunsath khoonte (चार खेमे चौंसठ खूंटे) (1962)
Do Chattane (दो चट्टानें) (1965)
Bahut din beete (बहुत दिन बीते) (1967)
Kat-ti pratimaaon ki awaaz (कटती प्रतिमाओं की आवाज़) (1968)
Ubharte pratimaano ke roop (उभरते प्रतिमानों के रूप) (1969)
Jaal sameta (जाल समेटा) (1973)
Autobiography / Rachanavali:
Kya bhooloon kya yaad karoon (क्या भूलूं क्या याद करूं) (1969)
Neerh ka nirmaan phir (नीड़ का निर्माण फिर) (1970)
Basere se door (बसेरे से दूर) (1977)
Dashdwaar se sopaan tak (दशद्वार से सोपान तक) (1985), In the Afternoon of Time
Bachchan rachanavali ke nau khand (बच्चन रचनावली के नौ खण्ड) (1983)
Bachpan ke saath kshan bhar (बचपन के साथ क्षण भर) (1934)
Khaiyyam ki madhushala (खय्याम की मधुशाला) (1938)
Sopaan (सोपान) (1953)
Jangeet (जनगीता) (1958)
Omar Khaiyyam ki rubaaiyan (उमर खय्याम की रुबाइयाँ) (1959)
Kaviyon ke saumya sant: Pant (कवियों के सौम्य संत: पंत) (1960)
Aaj ke lokpriya Hindi kavi: Sumitranandan Pant (आज के लोकप्रिय हिन्दी कवि: सुमित्रानंदन पंत) (1960)
Aadhunik kavi: 7 (आधुनिक कवि: ७) (1961)
Nehru: Raajnaitik jeevanchitra (नेहरू: राजनैतिक जीवनचित्र) (1961)
Naye puraane jharokhe (नये पुराने झरोखे) (1962)
Abhinav sopaan (अभिनव सोपान) (1964)
Chausath roosi kavitaayein (चौसठ रूसी कवितायें) (1964)
W.B. Yeats and Occultism (1968)
Markat dweep ka swar (मरकट द्वीप का स्वर) (1968)
Naagar geet (नागर गीत) (1966)
Bachpan ke lokpriya geet (बचपन के लोकप्रिय गीत) (1967)
Bhaasha apni bhaav paraaye (भाषा अपनी भाव पराये) (1970)
Pant ke sau patra (पंत के सौ पत्र) (1970)
Pravaas ki diary (प्रवास की डायरी) (1971)
King Lear (1972)
Tooti Chooti kadiyan (टूटी छूटी कड़ियां) (1973)
Meri kavitaayi ki aadhi sadi (मेरी कविताई की आधी सदी) (1981)
So-ham hans (सोहं हंस) (1981)
Aathve dashak ki pratinidhi shreshth kavitaayein (आठवें दशक की प्रतिनिधी श्रेष्ठ कवितायें) (1982)
Meri shreshth kavitaayein (मेरी श्रेष्ठ कवितायें) (1984)
Jo beet gai so Bat gai.